《碎片映像》（Fragmented Imagery ,2024）作品以旅行移動作為主題，從藝術家個人的生活影像出發，將記憶中的場景轉化為解構的元素，再運用3D掃描、建模的方式在虛擬工作室中建構影像裝置，以超現實的視覺重新賦予空間不同的想像，講述藝術家對於空間、移動、機器、時間與自然之間的思考，同時延伸處理空間裝置與虛擬化之間的關係，用一鏡到底的拍攝形式遊走在各裝置之間，並透過3D攝影機進行二次的構圖，試圖去擴展影像的觀看，模糊物理現實及虛擬的邊界。

The work "Fragmented Imagery" (2024) revolves around the theme of travel and movement. Starting from the artist's personal life images, memories of scenes are transformed into deconstructed elements. Utilizing 3D scanning and modeling in a virtual studio, the artist constructs visual installations that infuse spaces with different imaginings through a surreal visual lens. The artwork narrates the artist's contemplation on space, movement, machinery, and time, while also exploring the relationship between spatial installations and virtualization. Filmed in a continuous shot moving among various installations, the work employs a one-shot approach and utilizes 3D cameras for secondary compositions, aiming to expand the viewing of imagery and blur the boundaries between physical reality and the virtual realm.