作品以泰國Ratchaburi省Nong Pho地區出發，透過蒐集地方居民的口述歷史故事，試圖講述泰國近現代歷史的故事，作品中包含四個篇章分別為，河流與傳說、死亡火車、日本、過去與未來。

藝術家融合當地傳統皮影戲「Nang Yai」表演，重新繪製皮影戲角色，並使用3D技術製作動畫與實拍結合，轉化傳統元素。故事從小鎮的傳說開始，連結到地方信仰、泰緬鐵路的建設、區域衝突與戰爭記憶，最後與當地小朋友合作以表演的方式作為結尾。在結尾，男孩騎著火車造型的腳踏車，在夕陽的映照下行駛在鄉間小路。轉化了過去黑暗的戰爭歷史，同時也象徵著對於未來的期望。

The work originates from the Nong Pho area in Ratchaburi Province, gathering oral history stories from local residents in an attempt to narrate the modern history of Thailand. The piece is divided into four chapters: "Rivers and Legends," "Death Railway," "Japan," and "Past and Future."

The artist incorporates the traditional local shadow puppet performance known as "Nang Yai," re-drawing the shadow puppet characters and using 3D technology to create animations that are combined with live-action footage, transforming traditional elements. The story begins with the legends of the small town, connecting to local beliefs, the construction of the Thai-Burma Railway, regional conflict, and memories of war. The work concludes with a performance involving local children. In the final scene, a boy rides a train-shaped bicycle down a rural path, illuminated by the setting sun. This transforms the dark history of past wars while also symbolizing hope for the future.